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While we know what’s to come, Krasinski uses the conceit to pump up the emotion early, while also securing the bonds between the various Abbotts and introducing a few new characters who will become important later. Krasinski’s followup - entirely written by him, with character credits to original screenwriters Scott Beck and Bryan Woods - opens in flashback, to the day the aliens arrived. the WorldĮmmy Predictions: Best Actor in a Drama Series - One More for Porter, or a First for O'Connor? 'The Hating Game' Review: Lucy Hale and Austin Stowell Crackle in Sexy Sally Thorne AdaptationĮmmy Predictions: Best Supporting Actor in a Comedy Series - 'Ted Lasso' vs. 'Agnes' Review: Mickey Reece's Seriocomic Tale of Demonic Possession Will Restore Your Faith in Nunsploitation Oh, and Evelyn had also just given birth to a new Abbott in the middle of an alien attack.
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That pain was tinged with its own strange joy: the Abbotts, including wife Evelyn (Krasinski’s real-life wife Emily Blunt) and kids Regan (Millicent Simmonds) and Marcus (Noah Jupe), had just cracked a way to temporarily disarm the beings, enough to kill them. When “A Quiet Place” ended, Krasinski’s Lee Abbott had died while protecting his family from the monstrous aliens that had overtaken Earth more than a year prior. His onscreen family, however, has to do that (mostly) without its patriarch.
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And while his ability to direct stunning, action-driven set pieces on par with any other blockbuster has grown, so too has Krasinski’s initial motivation: to make a movie for his family. For the film’s inevitable sequel, Krasinski has not at all let up on the thrills and chills and alien-centric terror, but he’s also bulked up on the drama, emotion, and very human pain at its center. When actor and director John Krasinski’s “A Quiet Place” became a smash hit in 2018 - the rare top 15 hit based on original material, easily Krasinski’s biggest success behind the camera since he started directing a decade earlier - one of the most popular narratives around its creation was a compelling one: Krasinski, not at all a “horror guy,” had finally found his filmmaking footing with a scary movie.